The cross-section at x is a disk of radius 1/x, so the volume of the horn truncated at R is the improper integral V(R)=∫1Rπ(x1)2dx=π∫1Rx−2dx.
The antiderivative is −1/x, so V(R)=π[−x1]1R=π(1−R1). As R→∞, 1/R→0, so V(R)→π — the whole horn has finite volume, exactly π.
The convergence of ∫1∞x−2dx is the textbook case of the p-integral test (p=2>1). The blue curve in the lower panel clinging to the dashed π line is exactly this convergence.
Using the surface-of-revolution formula, show A(R)=2π∫1Rx11+x41dx≥2πlnR and prove completely that Gabriel's horn has infinite surface area.
A(R)=2π∫1Rx11+x41dx>2π∫1Rxdx=2πlnR→∞
R=10: lower bound 2πln10≈14.4676, quadrature ≈15.1774 — above the bound, and both grow without end as R increases.Show proof
Rotating the curve y=f(x)=1/x about the x-axis gives surface area A(R)=2π∫1Rf(x)1+f′(x)2dx. With f′(x)=−1/x2 this is A(R)=2π∫1Rx11+x41dx.
Since 1+1/x4>1 for every x≥1, the integrand exceeds x2π. Hence A(R)>2π∫1Rxdx=2πlnR.
As R→∞, 2πlnR→∞, so A(R)→∞ — the surface area is infinite. The volume decays like x−2 (p=2>1, convergent) while the area decays like x11+1/x4∼x1 (p=1, divergent) — this one order of decay is the entire paradox.
Resolve the 'painter's paradox': the horn can be filled with π of paint since its volume is π, but prove that coating its surface with a uniform coat of thickness δ>0 needs infinitely much paint.
fill: V=π<∞,coat: Vcoat≥δ⋅A(R)→∞
R=5: the volume π(1−1/5)≈2.5133 is settling toward π, but the area already exceeds 2πln5≈10.1124.Show proof
Filling: by problem 1 the whole horn has volume π, so pouring in π of paint fills it — a finite amount suffices.
Coating: a uniform coat of thickness δ>0 over the surface occupies volume at least δ⋅A(R) (thickness δ times each surface patch, summed). By problem 2, A(R)→∞, so δ⋅A(R)→∞ for every δ>0 — no finite paint coats the whole surface.
Why it is not a paradox: 'filling' spends the volume π, while 'coating' spends thickness times area — two different quantities. One being finite and the other infinite is no contradiction. This is exactly where the physical intuition that paint has thickness breaks down.